'The best answer to an ignorant person is to shut up.'' OttomanTurkish
1)'Sukût etmek gibi alemde nadâna cevab olmaz' (Cahile verilecek en güzel cevap susmaktır.
Hat Sanati, calligraphy art, خط
19 Kasım 2021 Cuma
'When diffirent geometric forms are constructed in one direction, they are perceived as a whole''
Excerpt page from my master thesis
"Graphical infrastructure and compositional construct of Turkish calligraphy art]''
/ Mimar Sinan Fine Art University İstanbul/ Kadir Yılmaz 2010 (Langue: Turkish) https://tez.yok.gov.tr/UlusalTezMerkezi/
''Farklı geometrik biçimler bir yön içinde kompoze edildiğinde bütün olarak algılanırlar'''
Alıntı: "Turk Hat Sanatında Kompozisyonların Grafik Altyapısı" Kadir Yılmaz 2010 (Yüksek Lisans tezi)
Summary The lines between traditional arts which explore via the basic building blocks with precious works have been around for centuries. Undoubtedly, this development accelerated during the Conqueror-15 Century. In this regard, the great cultural heritage of works on the historical development of art has created line writing. It provides platform to comment on the aesthetic works during the period between 15-19 centuries. Obviously, the importances of traditions, cultural and social developments have been portrayed. However, the modernized line art composites of designed methods, directions, unity, the golden ratio, balance, rhythm and the optical equilibrium under headings such as an optical illusion works for the purpose of examining the line art which will bring a different aesthetic interpretation. In this respect, designed works which are waiting to be examined under the headings described above will be seen as the presence of good design. Although all of the characteristics of rhythm-balance, direction, unity, Golden ratio, the design rules, and moreover the works of the main topics are not applied theoretically on the line art, they have been applied to the line literature in a practical manner. 2010 (kadir yilmaz)
Excerpt page from my master thesis
"Graphical infrastructure and compositional construct of Turkish calligraphy art]''
/ Mimar Sinan Fine Art University İstanbul/ Kadir Yılmaz 2010 (Langue: Turkish) https://tez.yok.gov.tr/UlusalTezMerkezi/
''Farklı geometrik biçimler bir yön içinde kompoze edildiğinde bütün olarak algılanırlar'''
Alıntı: "Turk Hat Sanatında Kompozisyonların Grafik Altyapısı" Kadir Yılmaz 2010 (Yüksek Lisans tezi)
Summary The lines between traditional arts which explore via the basic building blocks with precious works have been around for centuries. Undoubtedly, this development accelerated during the Conqueror-15 Century. In this regard, the great cultural heritage of works on the historical development of art has created line writing. It provides platform to comment on the aesthetic works during the period between 15-19 centuries. Obviously, the importances of traditions, cultural and social developments have been portrayed. However, the modernized line art composites of designed methods, directions, unity, the golden ratio, balance, rhythm and the optical equilibrium under headings such as an optical illusion works for the purpose of examining the line art which will bring a different aesthetic interpretation. In this respect, designed works which are waiting to be examined under the headings described above will be seen as the presence of good design. Although all of the characteristics of rhythm-balance, direction, unity, Golden ratio, the design rules, and moreover the works of the main topics are not applied theoretically on the line art, they have been applied to the line literature in a practical manner. 2010 (kadir yilmaz)
2 Kasım 2021 Salı
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